Thursday Night Recap
Gorgeous weather and top-talent brought out the masses last night during the 18th Annual Tin Pan South Songwriters Festival Presented by Regions Bank. The Hard Rock Café had lines around the building for the R&B Show featuring Marc Broussard, Drew Ramsey, Shannon Sanders and Tommy Sims, who kicked off the night with a funky groove. Ramsey and Sanders have been writing partners, a renowned production team and friends for more than 15 years. Ramsey’s set included “Good Mourning,” recorded by India.Arie, and Sanders introduced his song “Daddy’s Little Girl” by saying, “It’s probably good that I’m here tonight, because my daughter is going to a dance with a 17-year-old boy.” Sims switched up the tone a bit with his hits, “No Diggity” and “Change The World.” The group all jammed out on Broussard’s “Home,” while the mellow audience rose to their feet to sing along and “swim in a sea of soul.” Rather than make a quick exit, the writers stuck around to chat with the crowd and pose for photos. Spotted in the audience were Regions Bank’s Lisa Harless and Lee Blank, as well as Chrysalis Music Publishing’s Emily Byrd, AristoMedia’s Matt Watkins and Christy Walker-Watkins and several NSAI Spring Training attendees finding more inspiration during their evening break. The common denominator at the venue last night – Keith Anderson – chilled on the patio during early and late shows. Jim Peterik & The Ides of March took the stage just after 9PM and rocked out with a full band of drums, horns and guitars. “This song pretty much sums up how we feel about you all here tonight,” said Peterik before performing “High On You” with the band that’s been playing together since 1964. They gave a shout-out to FOX17’s Tennessee Mornings for having them on the show earlier in the day before bringing out 38 Special’s Jeff Carlisi for “Hold On Loosely” and “Caught Up In You.” Then the ubiquitous Bo Bice jumped up for “Vehicle,” which he performed during his stint on American Idol. Peterik, who wore leather pants for the occasion, made his way through the crowd with a wailing guitar during their encore, “Eye of The Tiger.”
Over at the packed Edgehill Studios Café listeners were ready to enjoy an old-school writers’ round with Don Henry, Phil Lee, Bill Lloyd and Jubal Lee Young. All the writers performed deep, insightful songs that reminded the crowd why these are some of the Nashville greats. The group also managed to keep it light with banter about the young Belmont volunteers and singalongs. Lloyd entertained the crowd with a song called “Indubitably,” which he wrote about a Facebook conversation with a friend. Henry took time to explain the importance of NSAI’s mission – raising money for their Legislative efforts regarding songwriter advocacy. Seasoned Tin Pan South veteran Lee wowed the crowd with his guitar and harmonica skills, as well as with his descriptive lyrics in “Just Some Girl.” Young was captivating with an intimate performance of his song “As I Lay Dying.” The late show – Big Time Extravaganza 2010 – featured Tommy Conners, T.W. Hale, Amanda Martin and the Alvarado Road Show. The stage was alive with talent, and the audience was buzzing with excitement. Martin began the show with an honest ballad “I Don’t Think So.” Hale followed with an upbeat tune, “I’ll be Right Here Loving You,” which was recorded by Randy Travis. The Alvarado Road Show – comprised of A.J. and Wes Cleve Clark and their nephew Brandon Trey – blended both Texas and Tennessee styles, setting them apart from Nashville norm. The chatty crew paused to listen during Conners’ “Tomorrow Is Gone.”
There was star power on and off stage at The Rutledge Live Music Venue. In the audience Lady Antebellum’s Charles Kelley, James Otto, Lance Miller, C.J. Vanston and Def Leppard’s Phil Collen took in the BMI Show, featuring Al Anderson, Shawn Camp and Pat McLaughlin. The night included early hits like McLaughlin’s “Lynda,” recorded by Steve Wariner, and Brooks & Dunn’s “How Long Gone,” written by Camp. The duo also performed the contemporary “Firecracker,” which they wrote with Josh Turner. Anderson entertained the filled-to-capacity venue with “All You Ever Do Is Bring Me Down,” recorded by The Mavericks. During the second half, the trio showcased a whole series of songs they’d written together and brought out top session players Greg Morrow on drums and Michael Rhodes on bass for a full-band experience. BMI’s Jody Williams, Clay Bradley, Mark Mason, Bradley Collins and David Preston were spotted in the crowd showing support for their writers.
Douglas Corner Café’s late show displayed songwriting extremes with hysterical and solemn tunes to everything in between. Kendall Marvel began the round with “I’d Have Done A Lot Of Things Different,” and segued into “Right Where I Need To Be” and “Don’t Think I Can’t Love You” throughout the night. As the only female, Marla Cannon-Goodman proved she could hang with boys by playing “The Fool,” “Don’t Make Me” and “Ten Rounds With Jose Cuervo,” which she co-wrote with Casey Beathard. He showcased his hits “No Shirt, No Shoes, No Problems”, “Find Out Who Your Friends Are” and “Don’t Blink.” Phil O’Donnell exhibited a more serious side with “She Won’t Be Lonely Long,” “Sounds Like Life To Me” and “Back When I Knew It All.”